The first version of Sound Forge was released in 1991. Back then an audio-editing program didn’t have to do much to gain approval. These days it takes much more to impress. Case in point: A persistent complaint about Sound Forge has been its two-track limitation. For audio producers who couldn’t see a clear distinction between editing stereo and 5.1, this restriction put Sound Forge increasingly out of sync with their workflow.
With Sound Forge 9, Sony Creative Software (formerly Sony Media Software) has finally delivered the goods on multichannel. Rather than awkwardly tack-on the extra tracks, as some competing programs have done, the additional tracks are fully integrated throughout the various features. For example, the Spectrum Analysis tools now display the shifting frequencies in real time for all the tracks of a mono, stereo, 2.1, quad, 5.1 or 7.1 mix. You instantly see if your tracks lack specific frequencies at any point in the mix. Similarly, the new Phase Scope and Mono Compatibility Meters show phase cancellation problems in real time for each individual track
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